NEW YORK, USA — The One Club for Creativity has announced more than 240 creative leaders from 40 countries who will serve on the global jury for The One Show 2025, including 51 based in 13 countries in APAC.
This year’s jury members from the regions are as follows.
Australia:
- Dave Bowman, CCO, Australia & New Zealand, Publicis Groupe, Sydney (Creative Use of Data/Creative Use of Technology)
- Sam Dickson, CD, Droga5, Sydney (Direct Marketing)
- Barbara Humphries, ECD, The Monkeys, Sydney (Green Pencil, Jury President)
- Lucy Sundberg, global sustainability leader, cofounder, Sydney (Green Pencil)
- Paul Swann, Chief Creative Tinker, Tinkerbell, Sydney (Cultural Driver)
- Matt Stoddart, ECD, TBWA\Melbourne and Eleven, Melbourne (Public Relations)
- Nat Taylor, founder, EP, Poppet, Melbourne (Moving Image Craft & Production)
- Mandie van der Merwe, CCO, Saatchi & Saatchi, Sydney (Interactive, Online & Mobile)
Bangladesh
- Mohammad Akrum Hossain, CCO, POP5, Dhaka (IP & Product Design)
China
- Chris Chen, CCO, China, Dentsu Creative, Shanghai (Gaming)
- Mo Chen, ECD, TBWA\Shanghai (Branded Entertainment)
- Julia Hou, Group ECD, Ogilvy, Beijing (Music & Sound Craft)
- Jody Xiong, director, CD, The Nine, Shanghai (Branded Entertainment)
India:
- Sonal Chhajerh, national creative director, Leo Burnett India, Mumbai (Film & Video)
- Kainaz Karmakar, CCO, Ogilvy India, Mumbai (Out of Home/Print & Promotional, Jury President)
- Siddhesh Khatavkar, ECD, DDB Mudra Group, Mumbai (Health & Wellness/Pharma)
- Moumita Pal, national CD, Dentsu Creative India, Gurugram (Direct Marketing)
- Ashima Mehra, CEO, FCB India, Mumbai (Cultural Driver)
- Harshada Menon, ECD, DDB Mudra Group, Mumbai (reen Pencil)
- Subhajit Mukherjee, music composer, sound designer, Mumbai (Music & Sound Craft)
- Umma Saini, CCO, Schbang India (Green Pencil)
Japan
- Takuya Demura, film director, animation director, Nanoda, Tokyo (Moving Image Craft & Production)
- Mariko Fukuoka, CD, Dentsu, Tokyo (Out of Home/ Print & Promotional)
- Takahiro Hosoda, CCO, TBWA\HAKUHODO, Tokyo (IP & Product Design)
- Mariko Kondo, head, I&CO Tokyo (Creative Use of Data/Creative Use of Technology)
- Kenji Oda, CD, Dentsu, Tokyo (Integrated/Experiential & Immersive)
- Shinsuke Sawasaki (SAWA), ECD, managing director, We Are Social, Tokyo (Social Media)
Malaysia
- Donevan Chew, CCO, Havas Malaysia, Kuala Lumpur (Radio & Audio)
- William Harald-Wong, director, William Harald-Wong & Associates, Kuala Lumpur (Design)
New Zealand
- Lisa Fedyszyn, CCO, Special Auckland (Out of Home/Print & Promotional)
- Mike Felix, CCO, Dentsu Auckland (Branded Entertainment)
Pakistan
- Hamza Amjad, executive director, creative, social & performance marketing, Ogilvy, Islamabad (Social Media)
Philippines
- Earl Guico, president, managing partner, Elesi Studios, Manila (Fusion Pencil)
- Dale Lopez, cofounder, creative technologist, Tony &, Makati City (Interactive, Online & Mobile)
Singapore
- James Keng Lim, director of creative strategy, GCI Health, Singapore (Direct Marketing)
- Melvyn Lim, group CD, SE Asia, Apple, Singapore (Brand-Side/In-House)
- Uma Rudd, ECD, cofounder, Kvur, Singapore (Creative Use of Data/Creative Use of Technology)
- Stephan Schwarz, ECD, LePub, Singapore (Out of Home/Print & Promotional)
- Laurent Thevenet, head of creative technology, APAC, Publicis Groupe, Singapore (IP & Product Design)
- Yah-Leng Yu, CD, Foreign Policy Design, Singapore (Design)
- Valerie Wang, strategy director, Publicis Chemistry, Singapore (Social Media)
South Korea
- Jax Jung, global CD, Cheil Worldwide, Seoul (Fusion Pencil)
- Hyitai Kim, managing director, Jung von Matt Hangang, Seoul (Public Relations)
- Thomas Hongtack Kim, CCO, partner, Paulus, Seoul (Sustainable Development Goals Pencil, Jury President)
- Eugene Park, global CD, Cheil Worldwide, Seoul (Health & Wellness/Pharma)
- Joohee Lee, global CD, Cheil Worldwide, Seoul (Gaming)
Taiwan
- Alice Chou, CCO, Dentsu Creative Taiwan, Taipei (Cultural Driver)
- Ken-tsai Lee, director, Ken-Tsai Lee Design Lab, Taipei (Design)
- Jessica Pan, head of communications, Uber, Taipei (Public Relations)
Thailand
- Pathida Akkarajindanon, deputy ECD, Wolf BKK, Bangkok (Branded Entertainment)
- Thasorn Boonyanate, CCO, BBDO Bangkok (Cultural Driver)
A complete list of all jury members for The One Show 2025 can be viewed here.
Entries to The One Show 2025 can be submitted now, with fees increasing after each deadline period. Early entry deadline is December 13, 2024, with the regular deadline January 31, 2025. The extended deadline is February 14, 2025, and final deadline February 28, 2025.
Finalists announced in April 2025, with Gold, Silver and Bronze Pencil and Merit winners announced in May during Creative Week 2025 in New York.
All One Show submissions must now include descriptions of the work background, creative idea, insights and strategy, execution, and results. This information will help judges make more informed decisions and promote thoughtful discussion, as well as enhance the quality of the comprehensive One Show awards archive.
All winning entries are showcased in the archive, and viewable for free for one year. All One Show winners receive a complimentary one-year membership to The One Club, which also includes complete archive access.
Agencies, brands, production companies and individuals responsible for winning work are included in The One Show Creative Rankings, as well as The One Club’s Global Creative Rankings, which combine points for winning work in The One Show, ADC Annual Awards, Type Directors Club TDC competition, Art Directors Club of Europe (ADCE) Awards, and ONE Asia Creative Awards. Winners are ranked globally, regionally and by country.
The One Club for Creativity – home of The One Show, ADC Annual Awards, Art Directors Club of Europe (ADCE) awards, ONE Asia Awards, Type Directors Club and competition, TDC Ascenders,Young Guns, Young Ones Student Awards, Next Creative Leaders, ONE Screen Short Film Festival, and more – is the world’s foremost non-profit organization whose mission is to support and celebrate the global creative community. Revenue generated from entries to its global awards shows goes back into the industry to fund programming under the organization’s four pillars: Education, Inclusion & Diversity, Gender Equality, and Creative Development.
