LONDON, UK — Photographer Misia-O will unveil 4 large-format photographs inspired by Lee Miller in Arles in an exhibition titled “The Spirit of Lee Miller,” which will also feature a bespoke perfume inspired by the explosive magnificence of Miller, a limited edition art book and an NFT.
At “The Spirit of Lee Miller” vernissage at Belle Beau Gallery on Wednesday 6th of July, there will be an “In Conversation” between Misia-O and Ami Bouhassane, Lee Miller’s granddaughter and Co-director of Farleys House & Gallery Ltd, the company that manages the Lee Miller Archives.
“The Spirit of Lee Miller” by Misia-O is a new exhibition featuring a capsule portrait photography series. ‘The Spirit of Lee Miller’ photography exhibition is the first of a series dedicated to female artists eclipsed by their titles of Muses. “The Spirit” of Lee Miller’ is the 6th consecutive exhibition of Misia-O during Les Rencontres d’Arles, following “Different Shades of Black” in 2019, “Different Shades of White” in 2021, and “Different Shades of Yellow” in 2020, for which Misia-O was awarded the prestigious “Prix du Jury” by le Salon des Beaux Arts.
After being discovered by Conde Nast in New York in the 1920s. Lee Miller became a favourite Vogue model, and later on a model for famous photographers and artists such as Steichen, Cocteau, Picasso, and Man Ray. She went behind the camera, opened her first portrait studio in Paris in 1930 and became a portrait, advertising and fashion photographer for Vogue during the 30s and 40s.
In 1929, Miller moved to Paris where she met Surrealist Man Ray, she quickly became his student, lover and collaborator before opening her own studio in the city. Miller discovered the solarisation technique by accident and developed it further with Man Ray.
Miller’s beauty and relationships with well-known artists and perceived role as “muse” often overshadowed her incredible accomplishments as a surrealist, portrait and fashion photographer and war correspondent with US forces during World War II. Miller was one of a handful of female war correspondents with the Allied troops and thought to be the only one that was attached to the US Army that covered combat. For some of her war reportage she teamed up with Life Magazine photographer David Scherman. Miller was living in Hitler’s abandoned private apartment in Munich when his death was announced. There she took the iconic self-portrait in Hitler’s bath. On the floor by the bath stand Miller’s boots, covered with the filth of Dachau prison camp which she had come from that morning.
In the later part of her life, Miller turned to surrealist cooking in her home, Farleys, England, where the Lee Miller Archives are held and managed by her son Antony Penrose and granddaughter Ami Bouhassane.
The Spirit of Lee Miller is a tribute to her free-spirited “essence”, her photography talent and her inner and outer beauty. At the centre of “The Spirit of Lee Miller” exhibition in Arles will be four large-format limited-edition prints inspired by Lee Miller and titled; “Becoming Lee,” “The spirit of,” “Éclosion” and “The Muse of a Poet.”
Misia-O’s shoots on both analogue (Hasselblad) and digital (Fuji XT2), and “The Spirit of Lee Miller” includes both. Misia-O processes and prints her analogue pictures. All pictures were taken in her photography studio in London.
The exhibition will take place from July 4 to 31 at Belle Beau Gallery, an art and photography gallery located in a 17th-century Hôtel Particulier in the heart of Arles, during the festival of Les Rencontres d’Arles. Ami Bouhassane, Lee Miller’s granddaughter, and Director of Lee Miller Archives will talk with Misia-O’ about her grandmother’s intrepid life and career as a photographer during an invitation-only vernissage on Wednesday 6th of July at Belle Beau Gallery.
Misia-O said: “I discovered the works of Lee Miller aged 11. My Mother had bought me a Surrealist book featuring solarised portraits that looked magical to me, and I found Lee’s ‘Fire Masks’ intriguing. This led me to discover Surrealism and my love for photography and of the 1930s. Furthermore, and as importantly, I admire Lee’s talent and I can relate to her free spirit and photographic style.
Bypassing her beauty, which for a while turned her into the Muse of famous male artists, she went behind the camera, and became an independent and talented photographer. As a female war photographer, her courage and humanity during the war was remarkable. If anything, Lee Miller proves that brain, beauty and talent are absolutely possible as she managed this in the 30’s and 40’s, an era known for not giving female artists the credit they deserved. Her legacy is deeply inspiring, and it is an honour to pay tribute to her.”
For more information go to: www.thespiritofleemiller.co.
