The Magazine
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class a — The creepy pixelated pop princesses of the internet
(This was written by our intern, Rogin Losa) Pop music is no exception to cyberculture’s influence. Nowadays, it’s more than…
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class a — Brands good enough to eat
(This was written by our intern, Jo Mercado) The latest contribution to the ongoing trend of personifying food brands as…
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class a — Splash Island’s satirical copywriter makes a big ripple
(This was written by our intern, Jo Mercado) If there’s one way to catch our attention, it’s to remind us…
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class a — Dear agencies, please look past the gay label
(Written by our intern, Jo Mercado) On April 17, Uber Philippines released its ‘Kilig’ ad, another installment in the #UberSTORIES…
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class a —The one thing Netflix’s Marvel did right that the blockbuster franchise has yet to do
(Written by our intern, Rogin Losa) Marvel’s fate was sealed when Robert Downey Jr. wore that Iron Man helmet for…
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class a — 4 fresh podcasts to catch up with
(This was written by our intern Samantha Aquino) Radio gaga seems passé–shock-jock tactics and 90-second factoid sound bites no longer…
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class a — Why are Millennials still watching ‘Black Mirror’?
(Written by our intern, Jo Mercado.) The best way to introduce Black Mirror to a new audience is to label…
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class a — When Pokémon GO sashayed into our lives, we went nuts
(Written by Serge Gabriel; Art by Israel Babadilla) Pokémon in real life—that was what greeted trainers from all over the…
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class a — Word of mouth: The art of spoken word poetry
(Written by Denice De Guzman; Photo by Renz Reyes) Contrary to current popular belief, spoken word poetry is not all…
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class a — Don’t Blink: A peek at the immersive world of ‘Watch The Skies!’
(Written by Glerren Bangalan) The year is 2021. As the leader of a global superpower, you find yourself in a…
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class a — Tips on pricing yourself as a freelancer
(Written by Franz Pantaleon; Artwork by Shaira Guevarra) Freelancing is no easy feat. Sure, the idea of working on your…
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class a — Hiphop, Rebirthed: The difference of then and now
(Written by Denice De Guzman; Photo by JC De Leon) To interview the trio Shadow Moses may not be the…
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Leading the charge of unicorns: Matt Eastwood, Worldwide Chief Creative Officer of J. Walter Thompson, on inclusion and diversity
In 2002, at the age of 35, Matt Eastwood was famously labeled “as one of the industry’s unicorns—a young proven…
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